Poor in Spirit Waterprint
2025
Oil, Flashe, ink and water on canvas
130 x 170 cm / 51 x 67 in
Drawing from the biblical notion of being “poor in spirit”—a posture of humility, openness, and receptivity to transformation—Poor in Spirit Waterprint explores fluid vulnerability through my Waterprint process. This distinctive method blends oil, Flashe, ink, and water to mirror the delicate interplay between presence and impermanence.
Like vessels molded by both substance and void, each brushstroke holds the tension between embodiment and surrender. Colors slip into translucence, and forms dissolve into light. Subtle shifts in tone and texture evoke how we hold and release what shapes us, reminding us to remain porous—prepared to receive, and just as ready to let go.
By balancing these interwoven layers, Poor in Spirit Waterprint invites a moment of contemplation, suggesting that even emptiness can be abundant with possibility. Ultimately, it offers a quiet space to reflect on how ephemeral processes shape our sense of self and spirit.
2025
Oil, Flashe, ink and water on canvas
130 x 170 cm / 51 x 67 in
Drawing from the biblical notion of being “poor in spirit”—a posture of humility, openness, and receptivity to transformation—Poor in Spirit Waterprint explores fluid vulnerability through my Waterprint process. This distinctive method blends oil, Flashe, ink, and water to mirror the delicate interplay between presence and impermanence.
Like vessels molded by both substance and void, each brushstroke holds the tension between embodiment and surrender. Colors slip into translucence, and forms dissolve into light. Subtle shifts in tone and texture evoke how we hold and release what shapes us, reminding us to remain porous—prepared to receive, and just as ready to let go.
By balancing these interwoven layers, Poor in Spirit Waterprint invites a moment of contemplation, suggesting that even emptiness can be abundant with possibility. Ultimately, it offers a quiet space to reflect on how ephemeral processes shape our sense of self and spirit.
2025
Oil, Flashe, ink and water on canvas
130 x 170 cm / 51 x 67 in
Drawing from the biblical notion of being “poor in spirit”—a posture of humility, openness, and receptivity to transformation—Poor in Spirit Waterprint explores fluid vulnerability through my Waterprint process. This distinctive method blends oil, Flashe, ink, and water to mirror the delicate interplay between presence and impermanence.
Like vessels molded by both substance and void, each brushstroke holds the tension between embodiment and surrender. Colors slip into translucence, and forms dissolve into light. Subtle shifts in tone and texture evoke how we hold and release what shapes us, reminding us to remain porous—prepared to receive, and just as ready to let go.
By balancing these interwoven layers, Poor in Spirit Waterprint invites a moment of contemplation, suggesting that even emptiness can be abundant with possibility. Ultimately, it offers a quiet space to reflect on how ephemeral processes shape our sense of self and spirit.